Many hymns and songs have been composed from passages of Scripture. Some have even been made popular within our culture today. For example, the Christmas carol Angels We Have Heard on High employs a refrain based upon the angels’ announcement of Christ’s birth to the shepherds watching their flock (Luke 2:8–14), Gloria in Excelsis Deo—Glory to God in the highest. Also, in the early 19th Century, Thomas O. Chisholm (1866–1960) penned the now famous hymn Great is Thy Faithfulness drawing heavily from Lamentations 3:22–23.
There are many other examples, but let us examine what may be considered an obscure song recorded in Revelation 15: the Song of the Lamb.
Verse 1: Then I saw another sign in heaven, great and marvelous, seven angels who had seven plagues, which are the last, because in them the wrath of God is finished.
This chapter is the prelude to the 7 Bowl judgment of chapter 16, having been preceded by the 7 Seal judgment (6–8) and the 6 Trumpet judgments (8–9). The end of the great tribulation (7:14) is nearing and the finality of God’s wrath will be poured out, to be followed then by the 2nd Coming of Jesus Christ in chapter 19.
Verse 2: And I saw something like a sea of glass mixed with fire, and those who had been victorious over the beast and his image and the number of his name, standing on the sea of glass, holding harps of God.
John is now given a vision of something like a sea of glass mixed with fire. Note that he says like, meaning that it wasn’t an actual sea of water, for there is no water in heaven, so what he is trying to describe is something he had never seen before—yet something like or similar to that which he could relate to his readers. John saw the same thing in 4:6 before the throne of the 24 elders adding that this sea of glass was like crystal.
So what exactly did John see? It is only a speculation, but since John did not live in the 20th or 21st Century he never witnesses a dramatic Super Bowl halftime spectacle. And that is what it seems what he saw: a stage or expanse that consisted of crystal clear glass or some translucent substance with fire or flames shooting upwards.
What he sees next helps to support the possibility that this is a stage, for standing on it are those who have been victorious over the beast, Satan’s Antichrist. These are the martyrs described in 6:9 and 12:11, who “did not love their life even when faced with death.” Their victory was based upon the blood of the Lamb and the word of their testimony. These victors are standing on this stage holding harps of God.
The word harp comes from the Greek word kithára (κιθάρα) from which we get our English word for guitar. These harps were triangular shaped hand-held stringed musical instruments, unlike the one Harpo Marx famously played in the Marx Brothers movies and recordings. The strings were strummed or plucked with the fingers or an object similar to a guitar pick. In the Bible the harp is almost always associated with happiness, and here is no exception. It is noted that these ancient stringed instruments not only accompanied the songs of God’s people (1 Chron. 25:6; Ps. 33:2), but also accompanied prophecy (cf. 1 Sam. 10:5).1
Verses 3-4: And they sang the song of Moses, the bond-servant of God, and the song of the Lamb, saying,
The Scripture refers to 2 songs of Moses, both are different. In Exodus 15 is the praising of God for the deliverance of Israel from Egypt through Moses, while Deuteronomy 32 praises God upon reaching the promised land. Which one they sang is not specified, but quite possibly both.
They also sang the Song of the Lamb. This may well be a continuation of the song the 24 elders sang before the Lamb (5:8-14), there also each one was holding a harp.
John provides the lyrics of their song:
“Great and marvelous are Your works,
O Lord God, the Almighty;
Righteous and true are Your ways,
King of the nations!
Who will not fear, O Lord, and glorify Your name?
For You alone are holy;
For all the nations will come and worship before You,
For Your righteous acts have been revealed.”
It is worth noting that what they highlight in this Song of the Lamb is the Lord God. They are careful not to place emphasis upon themselves, in spite of the fact they had been martyred. Instead they draw attention to His attributes: His great and marvelous works; that He is almighty, having power over everything; His righteous and perfect character; the sovereign King over all; His holiness, defining His integrity; and His acts, specifically the judgements He has dispensed are openly declared to be righteous and just.
Something to Consider
Both the song of Moses and the song of the Lamb are about God’s deliverance and provision to His people. And even at the conclusion of their fiery ordeal these martyrs are able to follow the Psalmist instructions:
Sing for joy in the Lord, O you righteous ones;
Praise is becoming to the upright.
Give thanks to the Lord with the lyre;
Sing praises to Him with a harp of ten strings.
Sing to Him a new song;
Play skillfully with a shout of joy. (Ps. 33:1–3)
The apostle Paul also expresses the manner in which the righteous ones ought to sing:
And do not get drunk with wine, for that is dissipation [self-indulgence], but be filled with the Spirit, speaking to one another in psalms and hymns and spiritual songs, singing and making melody with your heart to the Lord; always giving thanks for all things in the name of our Lord Jesus Christ to God, even the Father. (Eph. 5:18–19)
Concluding Thought
The message of our hymns and songs should take precedence in our thinking over and above the emotion derived from the instruments and music’s tempo. Since Jesus Christ is supposed to be the center of our lives, He should also be at the center of our songs of praise and worship. Therefore, we should place the greater emphasis on His eternal character and His provision of eternal blessings.[1] MacArthur, John F., Jr. 2010. The MacArthur Study Bible: English Standard Version. Wheaton, IL: Crossway, p. 1948 note.
© 2025 David M. Rossi